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Even after 30 years...
There is still no better place to learn music than the
PUGET SOUND GUITAR WORKSHOP

Summer 2007 Teacher/Class List
as of Fri Apr 20 14:03:56 PDT 2007
(Numbers in parentheses are levels: 1=>beginner, 4=>advanced.)

PSGW 2007 SESSION 1 TEACHERS & CLASSES

Roy BernsSwing Jam Survival (3-4)Rhythmic Swing/Jazz Lead (4)
Bill CoulterBeginning Celtic Guitar in DADGAD (2-3)More Celtic Guitar in DADGAD (3-4)
Nova DevonieInstigator 
Ginny HawkerFinding Your Unaccompanied Voice (1-3)The Songs of Molly O'Day (1-3)
Wayne HendersonBeginning Finger-Flatpicking (2-3)Intermediate flat-Fingerpicking (3-4)
Ed JohnsonGolden Harmonies (2-3)Brazilian Guitar Grooves (4)
John KnowlesFingerstyle Accompaniment (2)Moving Beyond 1-4-5 (2-3)
Paddy LeagueSongs of Hash, Cops, and Dusky Dames: Rebetika (2-4)Irish/Celtic Mandolin (2-3)
Tony MarcusCamp Instrumentalist 
Carol McCombHold on to that Pick! (2)Rhythm and Drive (3)
Mick NicholsonBass: The Lowest Form of Music (1-2)Forward Motion: Developing Melodic Bass Lines (3-4)
Rick RuskinStepping Stones (2-3)Fingerstyle Grooves (3-4)
Tracy SchwarzAccompanying Singing with the Fiddle (3-4)Tracy's Fiddle Repertoire Class (2-3)
Cosy SheridanSong-A-Day Songwriting (2-3)Performance Class/Stagecraft (2-3)
Cyd SmithBeginning Swing Rhythm (3)Beginning Swing Lead (2-3)
Laura SmithFinger-Pickin' Good (1)Dynamic Duos (1-4)
Click here for week 1 class descriptions.

PSGW 2007 SESSION 2 TEACHERS & CLASSES

Paul AnastasioCamp Instrumentalist 
Cary BlackBeginning Upright Bass (1-2)Blues Bass (2-3)
Flip BreskinIntroduction to the Guitar (1)Ergonomics for Musicians (1-4)
Velzoe BrownHonored Guest 
Bob FrankeSongwriting from the Center (1-3)Guitar for Songwriters (2-3)
Nina GerberTheory Applied To The Guitar (2-4)Sideperson Strategies (2-4)
Greg GlassmanIt Don't Mean A Thing If It Ain't Got that Swing (3)More Advanced Soloing (4)
Chris GramppAdvanced Swing and Jazz Accompaniment (3-4)Swing and Jazz Soloing: a Melodic Approach (3-4)
James HillRookie Uke (1)Ukulele Pedagogy (1-4)
Kent HillmanIntroduction to Fingerstyle Technique (2)Fingerstyle Arranging Tools (3-4)
Orville JohnsonBeginning Flatpicking (2)Flatpicking Lead Guitar (3-4)
Tom MoranBeginning Mandolin (1-2)Intermediate Mandolin (2-3)
Kristina OlsenInstigator 
Cliff PerryCountry Rep (1-3)Flatpick Backup (3)
Jennifer ScottSinging Styles & Vocal Methods (3-4)Swing Vocal Summit (2-4)
Alice StuartBlues Guitar (2-3)More Blues Guitar (3-4)
Joe VinikowPartly Guitar (2-3)Jam Session Survival (2-3)
Radim ZenklSurprise Guest 
Click here for week 2 class descriptions.

PSGW 2007 SESSION 3 TEACHERS & CLASSES

Steve BaughmanRight Hand Use for the Frustrated Fingerpicker (3)Beginning Country Blues: Riffs and Repertoire (3-4)
Keith BaumannSwing Rhythm Guitar Styles (3-4)Western Swing Rhythm Guitar (4)
Julia S. BlackMusicality: Feel the Flow (1-4)Improvisation (2-4)
Roger FergusonFancy Flatpicking (4)Flatpick Backup (3)
Clive GregsonA Song A Day (2-4)Party Guitar (1-3)
Jack HansenFun Songs (1-3)Intro to Swing (3)
Piper HeisigThe Songs of Hawai'i (1-3)Beginning Bass (1-2)
David KeenanBanjo Rules! (1-2)Big Banjo (2-3)
Peter LangstonInstigator 
Stacy PhillipsCamp Instrumentalist 
Ivan RosenbergWow, the action on your guitar is really high... Beginning Dobro (1-2)Sliding into second... Intermediate Dobro (2-3)
Sue ThompsonBluegrass and Country Vocal Jam (1-3)Getting Started with Bluegrass Lead Guitar (3)
Linda WaterfallThe Songwriting Basics (1-3)Stagecraft (2-3)
Josh White Jr.The Blues Songs of Josh White (2-3)More Blues Songs of Josh White (3-4)
Sean WilliamsFingerstyle Guitar (2)Beyond I-IV-V (2-3)
Cathy WinterBeginning Guitar (1)Intro to Flatpicking (2)
Dede WylandGood Singing: Let's Start With The Basics! (1-2)From Good Singing to Great Singing: Make the Leap (2-3)
Click here for week 3 class descriptions.

PSGW 2007 REGISTRATION FORM

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